- This event has passed.
Bridgette and Scott Johnson: “Let’s Duet — No One Is Alone” (Webcast Premiere)
October 25 @ 3:00 pm
Bridgette and Scott Johnson return to the 1867 Sanctuary with popular music of opera and Broadway to cheer and soothe our souls in these difficult pandemic times. Their concert, Let’s Duet: No One is Alone will be webcast on this page at www.1867sanctuary.org beginning Sunday, October 25, 2020 at 3:00 p.m. The concert will remain available for viewing for 60 days.
While the 1867 Sanctuary Arts and Culture Center is closed for public concerts during the COVID-19 pandemic, we are webcasting concerts recorded (safely) in the 1867 Sanctuary. Click on the video to view the concert.
Please donate ($20 per view is suggested) using the link below. Your donations will help support the artists and will help preserve the 1867 Sanctuary as a beautiful space for music until we are able to open safely to the public for concerts and events.
After meeting in the mountains of Central City, Colorado, these two award-winning singers have enjoyed national and international careers and now again bring their love of the stage (and each other!) to the 1867 Sanctuary.
Praised by the Washington Post for her “gorgeous singing,” soprano Bridgette Gan is quickly establishing herself as a vibrant interpreter in the musical realms of opera, concert and crossover works. Recently, Ms. Gan made an acclaimed last minute debut for an indisposed Erin Morley as Marie in Palm Beach Opera’s production of La fille du régiment in which she successfully sang the company’s Matinee Youth Performance followed by the Mainstage performance within the same day. Critics called her portrayal “a tour de-force…vocally beautiful and consistent with a rich tone and sparkling high notes… a great star turn for a young singer who has a world of potential in front of her.”
Engagements for the 2019 season include a house debut with Utah Festival Opera as the Countess in Le nozze di Figaro, where she also appears as Sharon in Terrence McNally’s Masterclass and the soprano soloist in Leroy Robertson’s Oratorio from the Book of Mormon. In concert, she will be featured in an innovative Lecture-Recital series, Crossing Genres, at the Mayo Concert Hall at The College of New Jersey, and appears as a guest soloist with her husband Scott Johnson in the third iteration of their signature Let’s Duet concert series for the VOICES Chorale 2019 Cabaret.
Ms. Gan’s recent engagements include a debut with Pacific Symphony as Papagena inDie Zauberflöte, a return to Opera Orlando as both Musetta in La Bohème and a guest soloist for their 2018 Gala, and she appeared in concert with pianist Mun-tzung Wong and her husband, baritone Scott Johnson, for their signature Let’s Duet concert at the historic 1867 Sanctuary Arts and Culture Center. The 2016/2017 season included her role debut of Norina in Don Pasquale with Opera Orlando, as well as her company and role debut with St. Petersburg Opera as Adina in L’elisir d’amore. In concert she returned to the South Florida Symphony, and was featured at the Newport Music Festival during the summer of 2016.
In the 2015/2016 season, Ms. Gan made a strong debut with Opera Orlando in their modern production of The Impresario as the “vocally and comically sparking” Bethany Squills. She also returned to Palm Beach Opera for her role debut as Zerbinetta inAriadne auf Naxos, and made her mainstage debut with the world renowned Santa Fe Opera, creating the role of Lila in the world premiere of Jennifer Higdon’s Cold Mountain, a live recording of which was released by Pentatone and was recently nominated for a Grammy. In concert she appeared twice with the Toledo Symphony for their Rodgers and Hammerstein Celebration concert tour, the South Florida Symphony for their And the Tony Goes to concert tour, and appeared as a guest artist for Palm Beach Opera’s Opera on the Waterfront concert. Previous seasons include her debut with the Center for Contemporary Opera as Jackie Kennedy in a reading of Chandler Carter’s new opera Bobby, and the soprano soloist in Barber’s Knoxville: Summer of 1915 with the U.S. Marine Chamber Orchestra.
Ms. Gan was a resident artist with Palm Beach Opera from 2013-2015, where she covered Musetta in La bohème, Yadwiga in the world premiere of Enemies, A Love Story, sang Stella in Les contes d’Hoffmann, and sang Morgana in Palm Beach Opera’s “Opera in One Hour” production of Alcina. Ms. Gan is also an alumna of numerous apprentice programs, including the programs at Santa Fe Opera, Central City Opera, and Opera Theatre of St. Louis, with assignments that included Frasquita in Carmen, the cover of Madame Herz and The Cook in The Impresario/Le Rossignol, the cover of Sandrina in La finta giardiniera, Venus and Eurydice in Orpheus in the Underworld, Madeline/Isabel in The Face on the Barroom Floor, and Celie in Signor Deluso.
Bridgette has also distinguished herself in numerous prestigious vocal competitions throughout the country. She has won prizes from the Gerda Lissner Foundation, Central City Opera, the Licia Albanese-Pucinni Competion, Giulio Gari International Vocal Competition, Opera Index Vocal Competition, Violetta DuPont Vocal Competition, the Philadelphia Orchestra Albert M. Greenfield Competition, the National Opera Association Voice Competition and was a Grant nominee for the 2015 and 2016 Sara Tucker Award. Ms. Gan completed her Masters in Opera Performance from the Maryland Opera Studio and her Bachelors in Music from Westminster Choir College. Making her start in music theatre, she has played leading roles in countless professional venues across the commonwealth of Pennsylvania and beyond including Luisa in The Fantasticks (Mount Gretna Playhouse) Rosa Bud in The Mystery of Edwin Drood, Rapunzel in Into the Woods and Lily in The Secret Garden (The Whitaker Center) Julie Jordan in Carousel (Ash Lawn/Charlottesville Opera) among many others. Bridgette was an arts week major prize winner for The National Foundation of Advancement in the Arts (NFAA.)
Bridgette is also an accomplished Fitness Instructor, holding certifications in Zumba, STRONG by Zumba and AFAA and maintains an active following in the Central New Jersey area.
Praised for his “handsome baritone” and “the clarity and nobility of both his sound and his interpretive choices,” Scott Johnson, Baritone, is an active performer in the stage, concert, and sacred arenas. A recipient of the Richard F. Gold Career Grant from the Shoshanna foundation, he holds voice performance degrees from the University of Southern California (BM) and the University of Wisconsin – Madison (MM).
Recent highlights include appearances with Opera Philadelphia in their production of Cold Mountain, Florentine Opera for both La Bohème and L’Italiana in Algeri, and Nashville Opera for La Fanciulla del West. In 2012 he was the recipient of two scholarships from The Opera Foundation to perform with the Deutsche Oper Berlin and Teatro Regio di Torino, where he performed multiple roles, including an appearance with the Staatsballett Berlin as the baritone soloist in Peer Gynt. He was a resident artist with the Florentine Opera from 2009-2011, and has been a frequent performer with Central City Opera, appearing as Mr. Lindquist in A Little Night Music, Diesel in West Side Story, Jupiter in Orpheus in the Underworld, and Prince Yamadori in Madama Butterfly. In concert, he has appeared with the Milwaukee Symphony for Handel’s Messiah and in a solo recital for Florentine Opera.
He is a 3rd prize winner for the Fritz and Levinia Jensen Foundation Competition, and was a District Winner and Regional Finalist in the Metropolitan Opera National Council Auditions, as well as a finalist in the Fort Worth McCammon Competition. Recently he appeared with his wife Bridgette Johnson and pianists Mun-Tzung Wong (May) and Martin Neron (December) in both of their signature Let’s Duet concerts at the 1867 Sanctuary in Ewing, NJ. He is regularly featured as a baritone soloist and has served as section leader at the Church of the Redeemer in Bryn Mawr, PA and Newtown Presbyterian Church in Newtown, PA.
In addition to his performing career, Mr. Johnson is active in arts administration as an Assistant Artist Manager with Fletcher Artist Management.
Jeffrey Uhlig has appeared as a collaborative pianist in many concerts in America and in Russia. He is in demand as a chamber music player and accompanist and has performed with many outstanding singers and instrumentalists including members of The Philadelphia Orchestra, The New York Philharmonic and The Metropolitan Opera. Some of his most notable collaborations have been with Metropolitan Opera mezzo soprano Barbara Dever, Philadelphia Orchestra Principal Trombonist Nitzan Haroz and Philadelphia Orchestra Concertmaster David Kim. For over 30 years he has taught at Settlement Music School in Philadelphia where he holds The Lillian Kraus Felber Distinguished Faculty Chair in Piano. In New Jersey, Mr. Uhlig is Principal Keyboard and Vocal Coach with The Ocean City Pops Orchestra. For many years he served as Principal Keyboard with Princeton Symphony Orchestra. He studied piano with William Masselos and Gaby Casadesus and studied art song literature with Dalton Baldwin. He received a Master of Music Degree from West Chester University.