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Shane Barker and Rob Keiser, “Viola 1919”
May 4, 2019 @ 2:00 pm
Preservation New Jersey welcomes violist Shane Barker and pianist Rob Keiser for a Saturday matinee classical chamber music program, Viola 1919.
Suite for Viola and Piano
Ernest Bloch (1880-1959)
Sonata for viola and piano, op. 11 no. 4 “Fantasiesonate”
Paul Hindemith (1895-1963)
Sonata for viola and piano
Rebecca Clarke (1886-1979)
Shane Barker, violist, enjoys a varied career as recitalist, chamber musician, and orchestral player. He has performed across most of the eastern United States, Canada, France, Belgium, Germany, Denmark and Iceland in such venues as Carnegie Hall, Lincoln Center, the Philharmonie in Paris, and Place des Arts in Montreal. Shane enjoys long term partnerships with pianists Barbara Browne, Rob Keiser and Ekaterina Popova, flutist Pamela Taylor, harpsichordist Lewis Baratz, and oboist Kevin Chavez. He has been a founding member of the Philadelphia Harp Trio and Phoenix Chamber Players. In an effort to expand the viola repertoire, Shane has premiered works by Andrea Clearfield, Jeremy Gill, Andrew Litts and Julia Alford Fowler among others. Passionate about outreach, he has curated residencies at Veteran Centers, retirement facilities, the Third Street Alliance for Women and Children and the Nurture Nature Center. Shane holds degrees from Temple University and North Carolina School of the Arts where he studied with Sheila Browne, Karen Ritscher, Helen Kwalwasser and Evelyn Jacobs-Luise. He plays a viola by Sergio Peresson.
Rob Keiser received his Bachelors in Music in piano performance from Ithaca College, winning the prestigious Mary Hayes North Piano Competition Award in 2008. He received his Masters of Arts in piano performance form Hunter College, CUNY, winning their coveted concerto competition in 2012 for his performance of Liszt’s Totentanz. He is also working towards his DMA at the CUNY Graduate Center, where he has performed several solo and collaborative recitals. Mr. Keiser is busy as a performer in New York and New Jersey, and has formed an orchestra, Vari Musicisti with his wife Teresa Giardina. He has extensive experience collaborating with vocalists and instrumentalists, recently performing recitals with vocalists and instrumentalists in New York and New Jersey. He also has been teaching private piano students at the Lindeblad School of Music since summer 2014, where he has a studio of about 30 students. Mr. Keiser has been the musical director in several off-Broadway shows and continues to partner with many vocalists and instrumentalists as a collaborative pianist. Summer festival appearances include Italy’s Adriatic Chamber Music Festival in 2007 and the Brevard Music Festival in 2010.
The 1867 Sanctuary Arts and Culture Center is wheelchair-accessible through a wheelchair ramp through the gate on the left side of the building. All parking is across the street in the Ewing Presbyterian Church lots, including an inner ring across the street for disabled parking. Passengers may be dropped off at the curb directly in front of the main entrance; please use your hazard flashers when stopped there. Concert parking is recommended in the north lot (by the field closest to I-295). For your safety, please cross at the marked crosswalk and press the yellow button to activate flashers.
To Purchase Tickets
- $20 for General Admission
- $15 for Friends of the Sanctuary
- $5 for School and College students with ID
- $15 per person for Groups of 10 or more**
Tickets can be purchased online or reserved at the box office for payment by cash, check or credit card by calling 609-392-6409 or emailing email@example.com. Tickets may also be purchased at the door as space allows. (Sorry – we don’t mail tickets. Tickets will be held at the box office and a receipt will be emailed from PayPal if purchased online.)
**GROUP RATES (10 or more people). Group rates apply only to advance online sales and must be purchased in quantities of 10 or more within a single purchase. Group rate tickets cannot be purchased at the box office prior to the concert.
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